You may have seen some of the wordplays used on this site, or some of my vague references to the Science of Sound, well, here is an introduction to some of the aspects of the Science of Sound and why I call it a Science.

There are many factors at play in the process of creating and using language.  Despite the fact we all use it, no one really understands it, I mean really.  Its like most things humans do – we observe, we note our observations and we use them either directly or to extrapolate new information.  There is very little we actually understand – what we are good at is observing and recording cause, effect, and interaction, and then re-creating what we have observed – these are observations and the results – it does not denote  understanding.

Science is like this, which is why it has very little ethics and almost no moral code, because it is based purely on physical observations.

The Science of Sound is based on similar premises as physical science.  In science, we observe nature, in the Science of Sound, we observe language.  Only the Science of Sound is far behind physical science since our approach to it has been almost all wrong up until now.

The similarities do not end there though – Science works on various levels of penetration into the physical world – objective, molecular, atomic, subatomic, while the Science of Sound does exactly the same: the Word, the syllabic ‘molecule’, the ‘atomic’ letters and the ’subatomic,’ which relates to the creation of a particular letter or character.

Wow, eh?  Bet that has just bored your pants off! It gets more interesting, honest!

There are many variables at play in the Science of Sound, but the key and fundamental premise is that there are subconscious rules we are ALL using when naming things, despite language, despite context, and through understanding those rules, amazing insights are revealed.

This is similar to science too, in that science assumes that there are natural laws at play in nature that span landmasses, elements, and even planets and solar systems. By learning those laws through observation and experimentation, amazing insights are, and have been, revealed.

Now you can see why I call it the Science of Sound….

So, in nature, where Science thinks there is a particular rule, and we see that rule seemingly broken somewhere, investigation usually reveals great insights and new knowledge to work with.  The Science of Sound is no different – when we see a so-called linguistic rule broken eg i before e except after c, or silent letters, investigation with the right approach and procedure, reveals great insights and new knowledge.

Getting the point as to why I call it ’science’ now?  Not because its boring, but because it IS a science!

So – whats different about my approach to other ‘linguists,’ since I am not a linguist?

Well, my work has shown me that language is a geometric code which operates upon the subconscious in a particular way which has at least four levels of impact on our consciousness.  We are consciously aware of only 1 level, and we hardly pay that any attention!

For many, that one level is usually, but not always, skewed in its ‘meaning’, meaning we are off to a bad start because it means we don’t ‘get the point’ of that word!  The words I tackle in the ‘wordplays’ section of the site deal with skewed and alchemical meanings mainly, but there are other types too.

So, lets look at them quickly:

You have wrong emphasis or pronunciation, like with ‘entrance’

You have wrong context like with ‘collar, cuffs and a tie’

You have mistaken meaning such as ‘delight’, ‘responsibility’ or ‘justice’

These are the clear cut and, for the most part, obvious ones that anyone can see simply by observing the words and their components.  Then you have the more advanced ones, which are also the more powerful in their effects:

You have hidden meaning, such as in Benign, Knight, Gnome, Attention

Then you have the most damaging type of all, and the most abstract, which is the mis-spelled. An example of this is the word ‘god.’ These are less common, but thankfully so, since their impact is much, much more significant that can be realised initially.

This is why the primary work I do on this subject is The Lost Word, which illustrates the point clearly.  There is no need to go too in depth into this aspect just now, because it tends to deal with sound at the ‘atomic’ and ’subatomic’ level, or at the level of the letters, which is generally too abstract for most beginners on this subject.  You wouldn’t jump into degree level physics without doing the A level first, and the Science of Sound is no different.

Have a browse of some of the wordplays and you can see how revealing it can be to simply play at the surface levels of this emerging science, and when you feel ready to delve deeper, have a look at the Numbers and the Initiations.